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The Evaporated Woman

Author

Kim Young-ju

Publisher

GOZKNOCK ENT

Categories

Genre Literature

Audience

Adult

Overseas Licensing

Keywords

  • #Thriller
  • #Psychological Thriller
  • #Women’s Story
  • #Fiction
  • #Korean Thriller
  • #Visiting Korean Book Fair 2021 Russia
  • #Video Conference
  • #Visiting Korean Book Fair 2021 France&Belgium

Copyright Contact

Rita Bae

  • Publication Date

    2021-02-17
  • No. of pages

    296
  • ISBN

    9791163161424
  • Dimensions

    145 * 210
Overview

Her final choice is to die then to be reborn! A psychological thriller of two women who are caught up in disguise, deception, and risky desires.

Book Intro

(French) La femme évaporée

Case reeler Saison 3.

Oh Soo-wan, qui a été licencié de son travail et s'est enfui avec la caution de la maison, a tout perdu en un instant. Huh Kyung-jin, directeur d'une grande entreprise et belle-fille d'une riche famille que j'ai croisée par hasard, lui a fait une offre irrésistible. "Peux-tu être ma soeur qui est morte il y a un moment ?" De l'apparence à la marche en passant par les habitudes. Su-wan s'abandonne complètement et s'immerge dans le rôle de sa jeune sœur.

Kyung-jin veut effacer complètement son moi originel et retrouver son moi perdu grâce à son nouveau talent. Et sa soif de sang se manifeste progressivement ! Su-wan pourra-t-elle finir cette pièce en toute sécurité ? Pouvez-vous vous retrouver évaporé ?

 

 

(English) The Evaporated Woman

Su-wan who lost everything gets an unexpected chance
Twenty-nine-year-old Oh Su-wan, an amateur actress has a plain appearance and is from a humble background. On the day of her first casting that she’d been waiting for, her live-in boyfriend vanishes with all her money. Pregnant to boot, she misses out on her casting opportunity. She arrives at the Pilates Center where she works part-time and by accident she meets a gold member, Heo Gyeong-jin who is an executive of a conglomerate company and also married into one of the richest families in the country. She makes a proposal to Su-wan that she just cannot turn down—that is to act out the role of “Heo Nam-gyeong,” her dead younger sister.

There should be no secret between us from now on
Su-wan has no other choice but to hide her pregnancy and acquiesces to Gyeong-jin’s covert contract. She gets a full three-months stipend from her and eradicates her entire history to become Gyeong-jin’s brother, Nam-gyeong, by acquiring his look, walk, and habits.
Little by little, she becomes accustomed to the cozy and comfortable upper class lifestyle. Born again as Namgyeong, she is asked to make appearance before Gyeong-jin’s husband, Jun-seok, pretending to have arrived from Germany. But when Gyeong-jin finds out that Su-wan had concealed her pregnancy, she calls off the plan; Su-wan, who is in a complete fix, breaks the agreement.


She cannot get off the stage if Su-wan wants to save her child
She gets into another bizarre contract as the sister and secret surrogate mother of Gyeong-jin who failed to get pregnant during her ten-year marriage. But Su-wan, who is unable to trust Gyeong-jin whole-heartedly, meets Jun-seok in secret—only to have a miscarriage when she falls into his trap. Su-wan becomes appalled with Gyeong-jin who still keeps calling her “Namgyeong,” even though everything has become irreversible. Su-wan, who chose to erase herself to live someone else’s life, and the woman who struggles to recover her vanished life through Su-wan—and her flaming desire reaches an apex…

On the day I erased myself I found out why I had to recover my life
When Su-wan sees what Gyeong-jin’s real motivation is, she is shocked and tries to undo everything. But “Oh Su-wan” gets accused of murder by Gyeong-jin and is forever deleted from the world. Gyeong-jin is the only person who can now validate Su-wan’s identity and redeem her. When Su-wan realizes someone has to make a sacrifice in order to bring their “play” to an end—that is when she fully immerses herself in the role—for own survival.possible…"

About the Author

Kim Young-ju



(French) Il a participé à divers travaux de planification et d'écriture de scénarios vidéo en passant par des scénaristes de films et des assistants de théâtre. Le synopsis de « No Rearview Mirror » a été sélectionné dans le processus de création du roman original par la Korea Contents Promotion Agency

L'essai de brunch 2017 « La chaleur des légumes, Gicolonbook » a été publié, et la deuxième nouvelle d'invitation du concours de littérature savoureuse « Femme curry » a été incluse dans "7 saveurs 7" en 2020, et le scénario de film « Eau » a été sélectionné comme œuvre originale pour le scénario Gyeonggi 2020.

 

(English) Born in Busan, the author worked at several different jobs, for example, as a film scripter, drama assistant writer, and contributed to diverse video script, planning, and writing. Her synopsis, “There’s No Back Mirror,” was chosen by Korea Creative Content Agency for original creative writing work and picked as a recommended book by the editors for the Platform Brit G of the Website novel, which publishes short stories.

In 2017, her book of “brunch serial essays” entitled, “The Temperature of Vegetables,” was published by Gcolon Book while in the same year, “Careewoman,” a short story for the 2nd Tasty Literature Competition was included in “7 Flavors, 7 Chapters.” In 2020, her screenplay, “Water” was chosen for a grant from the Gyeonggi Plan and Development of Scenarios.

(Russian) Я участвовал в планировании и написании различных сценариев, работал сценаристом фильмов и помощником сценариста сериалов. Синопсис работы “Без зеркала заднего вида” был выбран лучшим оригинальным сценарием в Корейском агентстве творческого контента, и затем платформа веб-новелл Брит Джи назвала ее рекомендованной к прочтению. В 2017 году опубликовал серию эссе “Тепло овощей, книга Gcolon”“, и в том же году на 2-м конкурсе “Вкусной” литературы был отобран его короткометражный роман “ Женщина карри ““ в разделе “7 вкусов, 7 работ”“ и в 2020 году сценарий к фильму “Вода” получил поддержку от провинции Кенгидо. 

 

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